![vmix audio plugins vmix audio plugins](https://www.vmix.com/help23/lib/NewItem333.png)
Music and movies benefit from stereo and surround-sound mixing, but most of the time, you’re going to send the same mono audio signal to both the left and right speakers when you are reinforcing microphone audio for conferences and keynote speeches. I’m now going to cover three common options for getting analog soundboard audio into your live stream. However, for my workflows, I’ll take the graphic equalizer on the board, knowing I can add a compressor or a more advanced audio plugin later in my digital workflow. Mackie had the right idea when it added a compressor to its V3 line, understanding that this was desirable for the growing field of digital content creators. With audio on a webcast, you have to assume that the viewer’s ability to turn up their speakers is very limited, so if you want the viewer to be able to hear properly, your audio needs to be mixed within a much smaller range. This gives you a much wider volume range before your audience struggles to hear what the presenter is saying. The reason is that your PA speakers are much more powerful than laptop speakers, and venue show levels are generally louder than what a typical laptop can reproduce. In the venue, you have a much wider acceptable audio range than you do on a recording.
![vmix audio plugins vmix audio plugins](http://blog.landr.com/wp-content/uploads/2016/06/0001_FuzzPlus3.jpg)
Normally, I prefer to have some control over the levels of each signal. If you are controlling the soundboard, you can utilize one of your soundboard outputs for your webcast audio. Now is the time to start considering audio for the live stream.
![vmix audio plugins vmix audio plugins](https://i1.wp.com/crackprokeygen.com/wp-content/uploads/2018/10/download-22.jpg)
Up until this point, I have only been focused on the audio for the venue.